An der Opéra Garnier ein neues Leben für „Kontakthof“ von Pina Bausch Kinotrailer24
Judith Mackrell. K ontakthof, created back in 1978, is one of Pina Bausch's most minimalist productions. It is set in a drab municipal hall, and its choreography is limited to a palette of.
Tanzträume Jugendliche tanzen Kontakthof von Pina Bausch Pina bausch, Dokumentarfilme, Tanzen
Pina - Wim Wenders (Germany 2011)In this Kontakthof sequence, men gradually gather around Nazareth Panadero, their at-first-experimental patting and poking a.
BAM blog Pina Bausch's Kontakthof—Innocence Regained
Members of Tanztheater Wuppertal Pina Bausch performing the 1978 work "Kontakthof," set in a dance hall and infused with anxious hope and longing, at the Brooklyn Academy of Music's Howard.
Tanztheater Wuppertal Pina Bausch Kontakthof New York DanceTabs
Created in 1978, this ballet is Pina Bausch's third piece to enter the repertoire of the Paris Opera Ballet and is centered around one thing, and one thing only: contact. Through swift and beautiful movements, the dances throughout this ballet present the history of contact and the links that an encounter can create. Kontakthof is about men and women who walk, run, dance, touch each other.
Kontakthof Pina Bausch Sadler's Wells Review
Filled with a brooding sense of the past, often specifically Germany's past, Bausch's works are less like ballets, more like choreographed group-psychotherapy. Dressed formally, as if for an evening out in the 1930s, her performers parade their secret frustrations and desires, blurt out verbal confessions or enact dreamlike scenarios, often involving sexual violence.
Gustavo Thomas Theatre Pina Bausch "Kontakthof" at The Barbican.
Jo Ann Endicott joined Pina Bausch in 1973 when the latter founded her Tanztheater Wuppertal company. Today Jo Ann is the artistic rehearsal director working with the company's dancers to bring Kontakthof into the Opera Ballet's repertoire.. She relates the work's creative process, in which she participated in 1978, and the multitude of contrasting feelings that form its subject.
KONTAKTHOF BY PINA BAUSCH, BARBICAN PHOTOGRAPHY BY VANJA KARAS VANJA KARAS
The battle of the sexes is fraught at the best of times - and no one had a keener sense of its absurdities and tragedies than Pina Bausch.Her work, from the seminal Café Müller to the mesmeric.
Pina in the ring • Sucre
Pina Bausch's Kontakthof: Choreographies of Gender and Costume Finola Cronin Abstract Costume designs in Kontakthof contribute not only to the visual aesthetic of the work but also support Bausch's aim to examine heterosexual encounters. The designs periodise the work suggesting an era when fashion was
KONTAKTHOF de Pina Bausch 06 mars 2013 © Laurent PHILIPPE Divergence images
I t was 40 years ago that choreographer Pina Bausch first brought Kontakthof to London (it was made in 1978) and yet its subject matter hasn't aged a bit. Its themes centre on the endless.
POSTHUMOUS, PINA BAUSCH, KONTAKTHOF VANJA KARAS
But Kontakthof holds out a promise that life and her captivatingly absurd and truthful work continues without her. Tanztheater Wuppertal Pina Bausch perform Kontakthof at the Barbican Theatre until Sunday. Tanztheater Wuppertal Pina Bausch performs the Brazil-inspired Agua in the Edinburgh Festival (27-29 August, Playhouse) The company's web site.
Kontakthof Pina Bausch Tanztheater Wuppertal Photo Credit… Flickr Pina Bausch, Contemporary
Tanztheater Wuppertal Pina Bausch in Kontakthof, which still ranks as one of Bausch's finest full-length works. REINER PFISTERER. Friday February 04 2022, 12.00pm, The Times.
London UK 2nd February 2022 Tanztheater Wuppertal Pina Bausch KONTAKTHOF at Sadlers Wells
Originally premiered in 1978 and now returning to Sadler's Wells in its 44th anniversary year, Pina Bausch's Kontakthof evokes longing and misguided desires. The piece is brought to life by a group of mature dancers, playing out first encounters, courtship and uncertain romance. One of the most important pieces in Pina Bausch's repertoire.
Pina Bausch’s ‘Kontakthof’ at Sadler’s Wells A timeless reflection on gender relationsReview
Pina Bausch (1940-2009) and her Tanztheater have a huge following: this short run of her 1978 Kontakthof sold out quickly, so I am surprised to see some empty seats (this is not press night) and even more after the interval.Granted the first ninety-minute half is relatively long, but this is Pina—at three hours in total, it is not the longest piece in her canon.
Tanztheater Wuppertal Pina Bausch Kontakthof Sadler's Wells Theatre
Philippine "Pina" Bausch (27 July 1940 - 30 June 2009) was a German dancer and choreographer who was a significant contributor to a neo-expressionist dance tradition now known as Tanztheater. Bausch's. "Kontakthof" is composed of Kontakt ("contact") and Hof ("court, courtyard"), resulting in "courtyard of contact," which is also a.
Kontakthof Pina Bausch YouTube
A piece by Pina Bausch. View credits. Poster for "Kontakthof" by Pina Bausch. Information. Premiere: 12/09/1978 season 1978/79 Opernhaus Wuppertal. Duration: Direction and choreography: Pina Bausch: Collaboration: Rolf Borzik: Marion Cito: Hans Pop: Set and costume design:
Kalender Ludwigsburger Schlossfestspiele
Information. Kontakthof. With Ladies and Gentlemen over 65. Musik: Charlie Chaplin, Anton Karas, Juan Llossas, Nino Rota, Jean Sibelius u.a. Den Auszug aus dem Film "Lebensraum in Gefahr" von Theo Kubiak spielen wir mit freundlicher Genehmigung des Autors und von Radio Bremen.